(For more examples of this trope, see Lorenzo Lamas in Grease, Danny Aiello in Moonstruck, Paul Rudd in Baz Luhrmann’s Romeo + Juliet, and James Marsden in The Notebook … and Superman Returns … and, also, Enchanted. Walter may be the quintessential example of the nice, onscreen dull guy who gets dumped for someone more equipped to light a female protagonist’s fire. Oh, and also, no compulsion about totally screwing over Walter, the fiancé portrayed by Bill Pullman as the human embodiment of playing it safe. It is possible to find the kind of connection that only seems to exist on TCM, with just a bit of tenacity, a dash of stalking, an obsession with An Affair to Remember so severe that it may qualify as a mental illness, and the help of a stubborn kid who runs away from home solely to confirm that Annie from Baltimore is, indeed, his widower father’s destiny. You want to be in love in a movie,” Annie’s best friend Becky (Rosie O’Donnell) rightly notes - Sleepless in Seattle ultimately proves that Annie is right. Sleepless in Seattle establishes fairly quickly that a normally practical Annie is capable of falling in love with Tom Hanks based solely on the sound of his voice - millennials who had a crush on Woody in Toy Story, I am sure you can relate - and that she has been brainwashed by a lifetime of watching classic romantic movies, so much so that she believes anything less than an epic cinematic romance may be a compromise.Įven though the film strongly suggests that such behavior is delusional - “You don’t want to be in love. And somehow, Walter is totally fine with all of this. That would be Walter, the guy who gets dumped in the middle of a Valentine’s Day dinner so his fiancée (Ryan) can run off and test her chemistry with some dude she doesn’t know (Hanks) on top of the Empire State Building. However, as we commemorate the movie’s 25th anniversary - Sleepless arrived in theaters on June 25, 1993, and went on to become one of the highest-grossing films of that year - it seems only fair to acknowledge the movie’s most troubling aspect and the character most deeply affected by it.
Sleepless in Seattle is great, and before you try to tell me it’s not as good as You’ve Got Mail, please hush, because you are wrong.
#Sleepless in seattle soundtrack movie
Sleepless in Seattle is a wonderful, fundamentally hopeful movie that contains many lovely elements, including Tom Hanks at his Tom Hanks-iest Meg Ryan at the height of her rom-com powers a soundtrack filled with sweet standards the direction of Nora Ephron, who also co-wrote the screenplay and spikes its sentimentality with her trademark wry, observant humor a baby Gaby Hoffmann using social-media-ready abbreviations (“MFEO” for “made for each other”) well before social media was invented and Rita Wilson recounting the plot of An Affair to Remember as though an emotional dam inside of her has just burst.
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